Pictures
![](https://freight.cargo.site/t/original/i/04f5071349ff84b99eeedcff38b710ac5ea7d207e5abc3e4f3411ea4c4f0132b/picture1.jpg)
Archival pigment print
45 x 24cm
![](https://freight.cargo.site/t/original/i/6fa1e564c4c52d3cff680f12d79ea405d72f0dd3650b5ea3feb91261434e77b0/picture2.jpg)
Archival pigment prints mounted on aluminium
Two archival pigment prints mounted on dibond, 22 x 31.5cm each
![](https://freight.cargo.site/t/original/i/c0ab0cf790fefb89c4c2db57ac887fdc0d1f33292fe5b0962259ed9895f46dbe/picture3.jpg)
Archival pigment print on silk, dowel
220 x 180cm
![](https://freight.cargo.site/t/original/i/1997098e5ff2830f001b4c67f2d5e628a3acc5f791a42f6e5f7d8976e5d55d6c/installation.jpg)
Rae & Bennett Fine Art Gallery + Printers, Melbourne, 2013
Photography: Clare Rae
In Pictures Hanna Tai questions the geocentrism of photography – our tendency to take the Earth, and our standing bodies on it, as the ultimate reference point for spatial relationships. Removing the Earth as a center, Pictures concentrates on the multiple layers of spatial flattening that take place in and around the photograph.