https://hannatai.com Hanna Tai Sun, 17 May 2026 23:21:59 +0000 https://hannatai.com en https://hannatai.com/Splash Fri, 08 May 2020 02:48:35 +0000 Hanna Tai https://hannatai.com/Splash Come in &gt; https://hannatai.com/Info Fri, 08 May 2020 02:47:12 +0000 Hanna Tai https://hannatai.com/Info Hanna Tai explores how photography, video, sound and sculpture can be used to make ordinary experience seem unfamiliar. Often using humour, she unpicks her chosen media in order to understand its material and durational properties and to reveal something new about the way we see things. In recent works, she examines the interconnectedness of daily life with bigger, inconceivable things, like climate change. CV Contact: hannatai(at)gmail.com Born Adelaide. Lives and works in Naarm (Melbourne). CollectivesFounding member of LAST Collective with Katie Lee, Melanie Irwin, Beth Arnold and Clare Rae.Founding member of CONCRETE POST with David Thomas, Andrew Tetzlaff, Melanie Jayne Sancho Taylor, Christoph Dalhausen and more.Founding member of the Art/Mums collective with Nina Ross, Gabrielle de Vietri, Tai Snaith, Eugenia Lim, Clare Rae, Jessie Scott, Claudia Phares, Clare Needham and more. Academic2007 Master of Fine Art, RMIT, Melbourne2003 MA Image and Communication (Photography) Goldsmiths College, London1998 Bachelor of Design Studies (Architecture) University of AdelaideSolo Exhibitions2021 Passing, project for the Kyneton Contemporary Art Triennial (in the lead-up to the KCAT 2022 group event), Kyneton Scout Hall &amp; Campaspe (Boregam) River Walk, Kyneton 2020 THIS COULD WORK!/I’M SCARED, Bundoora Homestead Art Centre, Melbourne 2019 A Device to Save Us All, Monfai Cultural Centre, Chiang Mai2018 Not not not not (Invisible Substance), School House Studios Pole Space, Melbourne2014 Massive Problems, VCA Margaret Lawrence Gallery, Melbourne2014 Come to Me, Centre for Contemporary Photography, Melbourne2013 Pictures, Rae &amp; Bennett Fine Art Gallery + Printers, Melbourne2012 Vertigo, or no return, Studio 12, Gertrude Contemporary, Melbourne2012 At the outpost, beside the rapids, BLINDSIDE Gallery, Melbourne2011 Looking for Nothing, Dianne Tanzer Gallery + Projects, Melbourne2010 Trees in Space: The Reorder of Things, Centre for Contemporary Photography, Melbourne2009 The Venus Canals, West Space, Melbourne2007 Creating a Theory of Everything, First Site Gallery, MelbourneGroup &amp; Collaborative Exhibitions2026 CONCRETE POST: Singapore with CONCRETE POST and&nbsp;LASALLE College of the Arts, Earl Lu Gallery, Singapore 2024 WORKING TEXT,&nbsp;Bargoonga Nganjin, North Fitzroy Library, Melbourne 2023 SPACE with the LAST Collective, as part of Collective Polyphony, Mary Cherry Gallery, Melbourne 2022 LAST Collective at the Melbourne Art Fair Project Room 2022 Kyneton Contemporary Art Triennial, Kyneton2019 Perceiving The Matter Of Time In Recent Painting And Photography, Five Walls, Melbourne2018 State of the Union (with the Artists Subcommittee), Ian Potter Museum of Art, Melbourne2018 Cinema, Kudos Gallery, Sydney2018 Framing Nature, McClelland Sculpture Park + Gallery, Melbourne2017 LIGHT: The Second LAST Collective Show, Artery Project Space, Melbourne2017 Barbara Beckmann: Resources &amp; Hanna Tai: Invisible Substance, CLOUD at Danslab, The Hague2017 HEAT: Solar Revolutions, Te Uru Waitakere Contemporary Gallery, Auckland2016 The First LAST Collective Show, 87 Albert St, Brunswick East (studio complex)2016 Redlands Konica Minolta Art Prize, NAS Gallery, Sydney2016 MUM, Stockroom Gallery, Kyneton2015 Cutting Mirrors, C3 contemporary art space, Melbourne2015 CONCRETE POST 3, raum2810, Bonn, Germany2015 CONCRETE POST 2, RMIT Project Space, Melbourne2014 Elephant in the Room, Brenda May Gallery, Sydney2014 Situation, RMIT Design Hub, Melbourne2014 The Substation Contemporary Art Prize, The Substation, Melbourne2014 Composing Common Worlds, Town Hall Gallery, Melbourne2013-2014 Melbourne Now, National Gallery of Victoria2013 Gertrude Studios Exhibition, Gertrude Contemporary, Melbourne2013 Decisions: RMIT Print Practices Residency Exhibition, RMIT Project Space, Melbourne2013 Sub12, The Substation, Melbourne2013 WITHIN, Greenwood St Projects, Melbourne2013 Standing, Walking, Sitting, Driving, Lying, Ozlyn Gallery, Auckland2012 Gertrude Studios Exhibition, Gertrude Contemporary, Melbourne2012 Where the birds always sing, Ausin Tung Gallery, Australia China Art Foundation, Melbourne2012 Lux 0.27, Dark Horse Experiment, Melbourne2011 Gertrude Studios Exhibition, Gertrude Contemporary, Melbourne2011 Reason and Rhyme (Part 2), St Paul St Gallery, Auckland2011 Reason and Rhyme (Part 1), Gertrude Contemporary, Melbourne2011 Holding on, looking down (with Kiron Robinson), Light Projects, Melbourne2010 Experiments on Plant Hybridization, Dianne Tanzer Gallery + Projects, Melbourne2009 Josephine Ulrick &amp; Win Schubert Photography Award, Gold Coast City Art Gallery2008 Connect: It’s Alright. It’s Magic. (Curated by Darren Sylvester) Kings ARI, Melbourne2008 Unbundled Together (with composer Tristan Coleman) Bus Gallery, Melbourne2008 Octopus 8: The softness in the rock: hope in disappointing times, (Curated by Emily Cormack),Gertrude Contemporary Art Spaces, Melbourne2007 RMIT MFA Graduate Show, Gossard Studios, RMIT, Melbourne2005 All These Things, Immanuelkirchstr.10, Berlin2004 Performance with Mathew Sawyer, 7a* 11d* International Performing Arts Festival, Toronto2003 Response/ability, Oxo Tower Bargehouse, LondonVideo Screenings2015 Implicit Spectatorship, Athens Digital Arts Festival, Athens, Greece2014 Videoholica International Festival of Video Art, Varna, BulgariaResidencies2019 Artist in Residence, Ne'-Na Contemporary Art Space, Chiang Mai2018 Art/Mums collective residency, Norma Redpath House, as part of Doing Feminism / Sharing the World, curated by Anne Marsh2017 Artist in Residence, Satellietgroep DCR Guest Studios, The Hague2013 Print Practices Residency, RMIT, Melbourne2011-2013 Gertrude Contemporary Studio Artist, Melbourne2012 Artist in Residence, Sanskriti, Delhi2010 Artist in Residence, Arteles, FinlandGrants2021 Australia Council Arts Projects Grant2021 Creative Victoria Creative Workers Fund&nbsp; 2019 Australia Council Development Grant2017 Australia Council Development Grant2012 Arts Victoria Arts Development Grant2012 Australia Council New Work Grant2010 Australia Council ArtStart Grant2009 Australia Council New Work GrantTeaching2018 - 2019 Fine Art Lecturer, Deakin University, Melbourne2015 - 2016 Fine Art Lecturer, RMIT University, Melbourne2013 - 2014 Photography Tutor, Deakin University, Melbourne2012 - 2013 Photography Tutor, Rotary Youth Arts Project, Centre for Contemporary Photography, Melbourne2010 – 2011 Photography Lecturer, RMIT University School of Architecture and Design, Melbourne2009 – 2014 Photography Tutor, Centre for Adult Education, MelbourneBibliographyCormack, Emily, ‘Nothing in time’, Reason and Rhyme publication, Melbourne: Gertrude Contemporary, 2011.Cormack, Emily, 'Octopus 8: The softness in the rock: hope in disappointing times', catalogue essay, Melbourne: Gertrude Contemporary Artists Spaces, 2008.Finch, Maggie, ‘Trees in Space: The Reorder of Things’, catalogue essay, Melbourne: Centre for Contemporary Photography, 2010.Harmon, Steph, 'Bob Dylan, high fashion and 'human folly': 30 years of Melbourne photography', review, The Guardian, 21 July 2016.Homewood, David, 'Vertigo, or no return', Gertrude Contemporary and Art &amp; Australia Emerging Writers Program, 2012.McFarlane, Kyla, ‘Critic’s Choice’, Art Collector, Issue 68, April-June 2014.Nelson, Robert, ‘A true heart of stone’, review, The Age, 24 Feb 2010.Palmer, Stephen, ‘Hanna Tai &amp; Kiron Robinson: Holding on, looking down’, essay, Melbourne: Light Projects, 2011.Rule, Dan, 'In the galleries: Composing Common Worlds', review, The Age, 6 Sept 2014.Sylvester, Darren, ‘Connect: It’s Alright. It’s Magic.’, catalogue essay, Melbourne: Kings Artist-run Initiative, 2008.Tutton, Sarah, ‘Octopus 8: The softness in the rock: hope in disappointing times', review, Art Asia Pacific, Issue 61 Nov/Dec 2008.Thomas, David, ‘A mid point in Reason and Rhyme or how two Swiss artists can assist us in considering the world through an exhibition’, Reason and Rhyme publication, Melbourne: Gertrude Contemporary, 2011.Wallis, Pip, ‘Gertrude Studios 2011’, catalogue essay, Melbourne: Gertrude Contemporary, 2011.CollectionsNational Gallery of VictoriaHeide Museum of Modern Art City of MelbourneRMIT UniversityPrivate collections https://hannatai.com/Shop Sat, 09 May 2020 02:32:41 +0000 Hanna Tai https://hannatai.com/Shop <img width="1948" height="2500" width_o="1948" height_o="2500" data-src="https://freight.cargo.site/t/original/i/d26080aa1918ab9fbf0fd9fcd1b01fe80f2ced212575a89e1ec12b31180b69ff/22-2_LAST-MAF_4.jpg" data-mid="134299059" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/d26080aa1918ab9fbf0fd9fcd1b01fe80f2ced212575a89e1ec12b31180b69ff/22-2_LAST-MAF_4.jpg" /> It Will Will It (Pink and Gold), 2022Two colour screenprint on Fabriano Rosaspina paper59.4 x 42 cmEdition of 25 $250 To purchase, email hannatai(at)gmail.com <img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/3a084be6755f532fea92b11a11d2c0bd68f3e1884c3cc4a0659e2cf06b7ead93/_DSC0277.jpg" data-mid="70259915" border="0" src="https://freight.cargo.site/w/1000/i/3a084be6755f532fea92b11a11d2c0bd68f3e1884c3cc4a0659e2cf06b7ead93/_DSC0277.jpg" /> Not not not not (Invisible Substance)⁣⁣White on white tea towel⁣⁣75% linen, 25% cotton⁣⁣Printed in Melbourne using GOTS certified printing⁣⁣$35 + postageTo purchase, email hannatai(at)gmail.com For all artwork sales enquiries, please email hannatai(at)gmail.com For LAST Collective sales, visit the Stockroom at www.lastcollective.com https://hannatai.com/Work Fri, 08 May 2020 02:47:12 +0000 Hanna Tai https://hannatai.com/Work https://hannatai.com/Project-Nav Fri, 08 May 2020 02:47:13 +0000 Hanna Tai https://hannatai.com/Project-Nav ︎ ︎ https://hannatai.com/Two-Tired-Tired Sun, 17 May 2026 23:21:59 +0000 Hanna Tai https://hannatai.com/Two-Tired-Tired Two Tired Tired <img width="2546" height="3394" width_o="2546" height_o="3394" data-src="https://freight.cargo.site/t/original/i/62f577797eb683f80684e3b91fe130edf0fa5fb41c0366caa4555a5dba3c480e/Two-tired-tired.jpg" data-mid="248415522" border="0" src="https://freight.cargo.site/w/1000/i/62f577797eb683f80684e3b91fe130edf0fa5fb41c0366caa4555a5dba3c480e/Two-tired-tired.jpg" />Two Tired Tired, 2024Found wool blankets, wool appliqué text, satin trim, hand stitching with cotton and rayon thread 196 x 128 cmPhotograph: Installation view, Working Text,&nbsp;Bargoonga Nganjin, North Fitzroy Library, 2024 https://hannatai.com/It-Will-Will-It Thu, 23 Feb 2023 03:48:35 +0000 Hanna Tai https://hannatai.com/It-Will-Will-It It Will Will It <img width="1743" height="2500" width_o="1743" height_o="2500" data-src="https://freight.cargo.site/t/original/i/e4e391599eddb8c9292cc6b4fb4d6a5c906b2a328732ba913908dd9e5f4ae38f/22-2_LAST-MAF_3.jpg" data-mid="169398158" border="0" src="https://freight.cargo.site/w/1000/i/e4e391599eddb8c9292cc6b4fb4d6a5c906b2a328732ba913908dd9e5f4ae38f/22-2_LAST-MAF_3.jpg" />It Will Will It (Blanket), 2022Found wool blankets and artist’s baby blanket, wool appliqué text, satin trim, hand stitching with cotton and rayon thread, reversible and foldable, folding sequence states IT WILL and WILL IT 300 × 200 cmPhotograph: Installation view, Melbourne Art Fair with LAST Collective, 2022 Photographer: Christian Capurro <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/73750dee9d6f609634dbdf7b85c013986c0ae65d6f611d1aa2280c6fccb727ad/_MG_8946.jpg" data-mid="170799430" border="0" src="https://freight.cargo.site/w/1000/i/73750dee9d6f609634dbdf7b85c013986c0ae65d6f611d1aa2280c6fccb727ad/_MG_8946.jpg" />It Will Will It (Folding), 2022Blanket folding performance Duration variablePhotograph: Performance documentation, Melbourne Art Fair with LAST Collective, 2022Photographer: Clare Rae <img width="1948" height="2500" width_o="1948" height_o="2500" data-src="https://freight.cargo.site/t/original/i/d26080aa1918ab9fbf0fd9fcd1b01fe80f2ced212575a89e1ec12b31180b69ff/22-2_LAST-MAF_4.jpg" data-mid="170799792" border="0" src="https://freight.cargo.site/w/1000/i/d26080aa1918ab9fbf0fd9fcd1b01fe80f2ced212575a89e1ec12b31180b69ff/22-2_LAST-MAF_4.jpg" />It Will Will It (Pink and Gold), 2022Two colour screenprint on Fabriano Rosaspina paper 59.4 × 42 cm Edition of 25Photographer: Christian Capurro https://hannatai.com/Passing Wed, 03 Nov 2021 03:21:40 +0000 Hanna Tai https://hannatai.com/Passing Passing (2021) <img width="1575" height="1050" width_o="1575" height_o="1050" data-src="https://freight.cargo.site/t/original/i/291cd3eb9a49173266eb94151257186cbab9d7b93f76cff120ac970c79950f15/KCAT_Hanna-Tai-2366.jpg" data-mid="123938815" border="0" src="https://freight.cargo.site/w/1000/i/291cd3eb9a49173266eb94151257186cbab9d7b93f76cff120ac970c79950f15/KCAT_Hanna-Tai-2366.jpg" /> Hanna TaiPassing (All Through Everything) 2021 (detail)Three flags with appliqued textmonofilament mesh, 180 cm x 90 cm eachPhotograph by Lucy Foster Passing 2021 9–19 October 2021 Kyneton Scout Hall &amp; under the Mollison St Bridge along the Campaspe (Boregam) River Walk, Kyneton This was an early showing of the work in the leadup to the Kyneton Contemporary Art Triennial Tai’s three-part work ‘Passing’ responds to two sites near the Boregam (Campaspe) River, Kyneton – under the Mollison Street Bridge and at the nearby Kyneton Scout Hall. A choral sound piece made in collaboration with local choir the Pollyphonics, a native flowering garden, and a suite of flags bearing the words ALL, THROUGH, and EVERYTHING, work together to invite audiences to experience their surroundings as places of temporal, sensory, and cosmic connection.Passing also reflects on contradictory experiences of time during endless COVID-19 induced lockdowns – where something can seem to pass in an instant and at the same time take forever, resonating through everything. Designed to align with changing seasons, Passing harnesses the new growth of Spring, which can also be a time for fresh perspectives and hopefulness: a flower blooms from the energy of the sun, a flag is animated by the sun-powered wind, and voices sing in unison. Together each part makes visible the transforming qualities of nature, cycles of time and the interconnected things that permeate our everyday. Play the sound work here. ‘Passing (Round)’ is best listened to outside and on headphones, while walking or seated, in a place where you can sense something passing by. This could be on the street, by a body of moving water, in dappled sunlight, with trees or sleeping animals, amongst scented flowers or leaves, or in a place where you can feel a gentle breeze. Passing is supported by the Victorian Government through Creative Victoria.<img width="500" height="175" width_o="500" height_o="175" data-src="https://freight.cargo.site/t/original/i/424cf3aa542ba9f43f4da5906cdae15456ee7743203fe0864e785a7c1807908a/CreativeVictoriaLogo_lores.jpeg" data-mid="123939222" border="0" data-scale="15" src="https://freight.cargo.site/w/500/i/424cf3aa542ba9f43f4da5906cdae15456ee7743203fe0864e785a7c1807908a/CreativeVictoriaLogo_lores.jpeg" /> This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. <img width="200" height="43" width_o="200" height_o="43" data-src="https://freight.cargo.site/t/original/i/1d4ed48fd1b506e2f6f0c63926fb3191c333f02f7d6d0a610df68e09ef1393dd/aca_logo_horizontal_black_smal-5432205722ff2_2_200.jpg" data-mid="123448115" border="0" src="https://freight.cargo.site/w/200/i/1d4ed48fd1b506e2f6f0c63926fb3191c333f02f7d6d0a610df68e09ef1393dd/aca_logo_horizontal_black_smal-5432205722ff2_2_200.jpg" /> https://hannatai.com/THIS-COULD-WORK-I-M-SCARED Fri, 08 May 2020 02:47:12 +0000 Hanna Tai https://hannatai.com/THIS-COULD-WORK-I-M-SCARED THIS COULD WORK!/I’M SCARED No World, No Horizon (Desire Line), 2020Documentation of LAST Collective performance Single channel video, no sound Excerpt: 1:00 mins Instructions: Select your pencil from the jar, and sharpen if necessaryStarting at the left edge of the canvas, find a line to follow (it might be thick, it might be thin)From left to right, trace the line as closely as you canFrom the moment your pencil touches the surface, try not to lift it, try to keep goingTry not to break your line, but don’t worry if you doIf you veer away, gently come backTake as much time as you likeLook closelyRemember to breatheOnce you reach the right edge of the canvas, your line is completeSharpen your pencil, and return it to the jar Optional: When your pencil first touches the surface, think of what you would like for the worldAs you draw your line, think of how this may be achievedWhen you finish your line, consider it already done <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/c2f30bc5a56f59d038c818126eb6e583fd18242a7efcee122a82d45f710d4290/Bundoora_Feb-2020_Event-90.jpg" data-mid="70798191" border="0" src="https://freight.cargo.site/w/1000/i/c2f30bc5a56f59d038c818126eb6e583fd18242a7efcee122a82d45f710d4290/Bundoora_Feb-2020_Event-90.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/26811113ace5ddcad1dd59907ca1ff6e22fdd41fd57572d9fea733db88a6a567/Bundoora_Feb-2020_Event-6.jpg" data-mid="70794154" border="0" src="https://freight.cargo.site/w/1000/i/26811113ace5ddcad1dd59907ca1ff6e22fdd41fd57572d9fea733db88a6a567/Bundoora_Feb-2020_Event-6.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/b428f37e56a9512b44ca421d288170f15aa9f430501b219fddcbff19d9974363/_MG_6591.jpg" data-mid="70801648" border="0" src="https://freight.cargo.site/w/1000/i/b428f37e56a9512b44ca421d288170f15aa9f430501b219fddcbff19d9974363/_MG_6591.jpg" /> <img width="6136" height="4091" width_o="6136" height_o="4091" data-src="https://freight.cargo.site/t/original/i/be1c1e8baa00617c852cd9a3a7355b5e692ccf42b2b8bfef2125b6506705ee6f/_MG_6638.jpg" data-mid="70800964" border="0" src="https://freight.cargo.site/w/1000/i/be1c1e8baa00617c852cd9a3a7355b5e692ccf42b2b8bfef2125b6506705ee6f/_MG_6638.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/c2c5ee6f26c9cfbbe27e9c54c14eeecf7fa5bf8c675cdfbe74d0f90bd87f7a96/_MG_6622.jpg" data-mid="70800531" border="0" src="https://freight.cargo.site/w/1000/i/c2c5ee6f26c9cfbbe27e9c54c14eeecf7fa5bf8c675cdfbe74d0f90bd87f7a96/_MG_6622.jpg" /> No World, No Horizon (Desire Line), 2020Participatory drawing, pencil and acrylic on canvas 420cm x 160cm Photographer:&nbsp;Jorge de Aurajo <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/dedb8fa2427c94475aee0e512712779b4c27437cd6873d0c75d1d9a278c0b910/_MG_6646.jpg" data-mid="70799958" border="0" src="https://freight.cargo.site/w/1000/i/dedb8fa2427c94475aee0e512712779b4c27437cd6873d0c75d1d9a278c0b910/_MG_6646.jpg" />Not not not not (Invisible Substance), 2019 Dark Night editionSewn flag with reverse applique250cm x 125cm <img width="1000" height="563" width_o="1000" height_o="563" data-src="https://freight.cargo.site/t/original/i/b950dc961bae35181c5e0ff3ccbc24e88415b649f11577c8470f17a95990eb42/caterpillar.jpg" data-mid="72840621" border="0" src="https://freight.cargo.site/w/1000/i/b950dc961bae35181c5e0ff3ccbc24e88415b649f11577c8470f17a95990eb42/caterpillar.jpg" /> Caterpillar, 2019 (video still)Single channel video, no sound, 1:44 mins, looped <img width="2265" height="1600" width_o="2265" height_o="1600" data-src="https://freight.cargo.site/t/original/i/1e02d49b6ca13f1a63e52a212a47957da245637b3e2d001a61f333d97fcd71da/No-World-No-Horizon-2017-1600px.jpg" data-mid="103307120" border="0" src="https://freight.cargo.site/w/1000/i/1e02d49b6ca13f1a63e52a212a47957da245637b3e2d001a61f333d97fcd71da/No-World-No-Horizon-2017-1600px.jpg" /> No World, No Horizon, 2017Dibond mounted archival pigment print84cm x 59.5cm <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/d7514ad1b404de368445de40b3212fed84ec2b4f570348f3d5912e53345c0b24/_MG_6670.jpg" data-mid="70938114" border="0" src="https://freight.cargo.site/w/1000/i/d7514ad1b404de368445de40b3212fed84ec2b4f570348f3d5912e53345c0b24/_MG_6670.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/5264783a77bda40ac1a252c2b46287b8762aad1ef955405008b5ecba84fc4123/_MG_6679.jpg" data-mid="70938701" border="0" src="https://freight.cargo.site/w/1000/i/5264783a77bda40ac1a252c2b46287b8762aad1ef955405008b5ecba84fc4123/_MG_6679.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/8bc68f7c82ff04e7510c4c93605b4f0b6fbdee38a2c7bffd40b0fed09cfe3a5d/_MG_6723-2.jpg" data-mid="70939303" border="0" src="https://freight.cargo.site/w/1000/i/8bc68f7c82ff04e7510c4c93605b4f0b6fbdee38a2c7bffd40b0fed09cfe3a5d/_MG_6723-2.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/b44ad9df4c12c73d3119cfac9f4ba467e8aaeda0545d93a01234de84d542ed7b/_MG_6718.jpg" data-mid="70939311" border="0" src="https://freight.cargo.site/w/1000/i/b44ad9df4c12c73d3119cfac9f4ba467e8aaeda0545d93a01234de84d542ed7b/_MG_6718.jpg" /> <img width="6053" height="4001" width_o="6053" height_o="4001" data-src="https://freight.cargo.site/t/original/i/87c69c60d460079586c651f8ba7e641fe782a90edf9ae5c14d4292fe4b52c3bf/_MG_6724.jpg" data-mid="70939565" border="0" src="https://freight.cargo.site/w/1000/i/87c69c60d460079586c651f8ba7e641fe782a90edf9ae5c14d4292fe4b52c3bf/_MG_6724.jpg" /> A Device to Save Us All (from mosquitoes, illness, bad dreams, climate change, etc), 2019Mosquito netting, thread, wood, sandbagsTwo pieces, dimensions variable Photographer: Jorge de Aurajo This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. <img width="200" height="43" width_o="200" height_o="43" data-src="https://freight.cargo.site/t/original/i/1d4ed48fd1b506e2f6f0c63926fb3191c333f02f7d6d0a610df68e09ef1393dd/aca_logo_horizontal_black_smal-5432205722ff2_2_200.jpg" data-mid="73033953" border="0" src="https://freight.cargo.site/w/200/i/1d4ed48fd1b506e2f6f0c63926fb3191c333f02f7d6d0a610df68e09ef1393dd/aca_logo_horizontal_black_smal-5432205722ff2_2_200.jpg" /> https://hannatai.com/Not-not-not-not-Invisible-Substance Fri, 08 May 2020 05:03:12 +0000 Hanna Tai https://hannatai.com/Not-not-not-not-Invisible-Substance Not not not not (Invisible Substance) <img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/ae1eab63453d7f9015bf8c74bb629324efa2498c71e5ff85ab4fd11e8beb4f6b/Invisible-Substance.jpg" data-mid="70164297" border="0" src="https://freight.cargo.site/w/1000/i/ae1eab63453d7f9015bf8c74bb629324efa2498c71e5ff85ab4fd11e8beb4f6b/Invisible-Substance.jpg" /> Not not not not (Invisible Substance), 2013&nbsp;Polyester fabric flag, 400 x 200cm Installation view, Flagstaff Gardens, Melbourne <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/4f549e40ac6e2b14426042005d0ee5e9c41cf2ee05cf7e7739445148b712059f/_MG_6646.jpg" data-mid="70165607" border="0" src="https://freight.cargo.site/w/1000/i/4f549e40ac6e2b14426042005d0ee5e9c41cf2ee05cf7e7739445148b712059f/_MG_6646.jpg" /> Not not not not (Invisible Substance), 2019&nbsp; Dark Night editionSewn flag with reverse applique250 x 125cm <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1b0bc1b1ff3dff592e60bf68e513a51557ef274cb0a245204ec7b521329d330d/IMG-5027.JPG" data-mid="70165772" border="0" src="https://freight.cargo.site/w/1000/i/1b0bc1b1ff3dff592e60bf68e513a51557ef274cb0a245204ec7b521329d330d/IMG-5027.JPG" />Not not not not (Invisible Substance), 2019 Coal Black editionSewn flag with reverse applique250 x 125cm